Showing posts with label Photographers: Photojournalists. Show all posts
Showing posts with label Photographers: Photojournalists. Show all posts

Sarah Leen: NGM: POYi

Image © Jonas Bendiksen-All Rights Reserved

The 65th Annual Pictures of the Year International ("POYi") competition which is currently being judged has announced Sarah Leen/National Geographic as the first prize winner in the Magazine Picture Editing Portfolio section, with Jonas Bendiksen's photo essay on Dharavi, a slum called Mumbai's shadow city.

In my view, this is a deserved recognition for the photographer and the magazine. There are two images that I think really stand out in the photo essay...the one above, and the 8th one in the series, which is of a man hunched under an umbrella while a woman in the alley is drenched in the pouring rain, and a priest and a child are arranging a small altar. A moment frozen in time...very well captured by Jonas.

(Note: I erroneously had this photo essay as being by Sarah Leen. However, sharp-eyed Kendrick Kwok, a fellow photographer and Lightstalkers member, kindly pointed out that it was Bendiksen's. A quick search of the National Geographic website confirmed that this was indeed the case. Thank you, Kendrick.)

(Note 2: Another sharp-eyed friend and photographer, Asim Rafiqui, corrected my error in that POYi awarded the Dharavi photo for picture editing, not for the pictures of the essay. The recipient of the award is Sarah Leen, and not Jonas Bendikson, as the category 'Magazine Picture Editing' is reserved for the editors who create the best photo layouts and best use of pictures to tell a story. Many thanks, Asim!)

The photo essay Dharavi, Mumbai's Shadow City

NYT: In the Land of Black Coats

Image © Gianni Cipriano for NY Times-All Rights Reserved

Central Brooklyn in New York City is the land of the Black Coats...specifically 55th Street in the center of Borough Park which is home to a quarter million Orthodox Jews, the largest concentration of Jews outside Israel.

The slideshow is of atmospheric black & white photographs by Gianni Cipriano, and accompanies a short article in The City section of the New York Times. Why travel when one has this cornucopia of photogenic traditions literally next door?

I just read that the recent introduction of new slideshow templates and tech-savvy multimedia on the pages of the NY Times' website caused a substantial increase in the number of its readers/viewers.

NY Times' In The Land of Black Coats

Anamitra Chakladar: Kolkata's Chinatown

Image © Anamitra Chakladar-All Rights Reserved

So far this week, my posts are of photographers using black & white pictures, and this suits Anamitra's work on Kolkata. Born in this city, Anamitra was expected by his parents to be a teacher or an executive, but he chose to be a photographer instead.

He joined an established newspaper as a trainee photographer, then moved on to television joining NDTV, and saw more than his share of world conflicts including the first Gulf War, the ongoing conflict over Kashmir between India and Pakistan, the coups in Nepal and Bangladesh...and getting shot at in the process.

Anamitra says that he's equally comfortable in both moving and still photography, but finds the latter therapeutic. From his website, I gather he's enamored not only by the city of his birth, but by the Taj Mahal and Delhi's Jama Masjid.

I had no idea that Kolkata has a Chinatown...its streets so well depicted by Anamitra's lens. I chose his well composed photograph of a rickshaw puller as the most illustrative of a Chinatown, although the government of West Bengal banned them in 2006. All this brings to mind the movie City of Joy and the brilliant performance by Om Puri, who acted the role of the impoverished rickshaw puller.

Anamitra Chakladar's Kolkata's Chinatown

Anamitra Chakladar: Kolkata's Chinatown

Image © Anamitra Chakladar-All Rights Reserved

So far this week, my posts are of photographers using black & white pictures, and this suits Anamitra's work on Kolkata. Born in this city, Anamitra was expected by his parents to be a teacher or an executive, but he chose to be a photographer instead.

He joined an established newspaper as a trainee photographer, then moved on to television joining NDTV, and saw more than his share of world conflicts including the first Gulf War, the ongoing conflict over Kashmir between India and Pakistan, the coups in Nepal and Bangladesh...and getting shot at in the process.

Anamitra says that he's equally comfortable in both moving and still photography, but finds the latter therapeutic. From his website, I gather he's enamored not only by the city of his birth, but by the Taj Mahal and Delhi's Jama Masjid.

I had no idea that Kolkata has a Chinatown...its streets so well depicted by Anamitra's lens. I chose his well composed photograph of a rickshaw puller as the most illustrative of a Chinatown, although the government of West Bengal banned them in 2006. All this brings to mind the movie City of Joy and the brilliant performance by Om Puri, who acted the role of the impoverished rickshaw puller.

Anamitra Chakladar's Kolkata's Chinatown

Rania Matar: Women of Islam

Image © Rania Matar-All Rights Reserved

Rania Matar was born and raised in Lebanon, and studied at the AUB and Cornell University. She studied photography at the New England School of Photography and at the Maine Photographic Workshops in Mexico with Magnum photographer Constantine Manos.

She travels widely in the Middle East photographs street scenes in Lebanon, Syria and Turkey, and focuses mainly on women and children in the Middle East, and her recent projects give a voice to people who have been forgotten or misunderstood. Her work has won several awards, and has been published and exhibited widely in the United States and internationally.

I was particularly moved by her Women of Islam photographs because, as she writes in her biography, it gives a voice to those who are misunderstood.

Rania Mattar's Women of Islam

Rania Matar: Women of Islam

Image © Rania Matar-All Rights Reserved

Rania Matar was born and raised in Lebanon, and studied at the AUB and Cornell University. She studied photography at the New England School of Photography and at the Maine Photographic Workshops in Mexico with Magnum photographer Constantine Manos.

She travels widely in the Middle East photographs street scenes in Lebanon, Syria and Turkey, and focuses mainly on women and children in the Middle East, and her recent projects give a voice to people who have been forgotten or misunderstood. Her work has won several awards, and has been published and exhibited widely in the United States and internationally.

I was particularly moved by her Women of Islam photographs because, as she writes in her biography, it gives a voice to those who are misunderstood.

Rania Mattar's Women of Islam

Vanity Fair: Junger & Hetherington

Image ©Tim Hetherington -All Rights Reserved

Vanity Fair recently featured a video interview with author and journalist Sebastian Junger and photographer Tim Hetherington, discussing the former's article "In the Valley of Death".

The article recounts the men's experiences when joining a US platoon while its soldiers make painfully slow advance in Afghanistan’s Korengal Valley; a strategic passage but among the deadliest pieces of terrain in the world for U.S. forces.

Tim Hetherington was awarded the World Press Photo of the Year 2007 for one of his photographs which appeared in the accompanying article.

Video Interview

Article

Vanity Fair: Junger & Hetherington

Image ©Tim Hetherington -All Rights Reserved

Vanity Fair recently featured a video interview with author and journalist Sebastian Junger and photographer Tim Hetherington, discussing the former's article "In the Valley of Death".

The article recounts the men's experiences when joining a US platoon while its soldiers make painfully slow advance in Afghanistan’s Korengal Valley; a strategic passage but among the deadliest pieces of terrain in the world for U.S. forces.

Tim Hetherington was awarded the World Press Photo of the Year 2007 for one of his photographs which appeared in the accompanying article.

Video Interview

Article

 
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