Sarah Leen: NGM: POYi

Image © Jonas Bendiksen-All Rights Reserved

The 65th Annual Pictures of the Year International ("POYi") competition which is currently being judged has announced Sarah Leen/National Geographic as the first prize winner in the Magazine Picture Editing Portfolio section, with Jonas Bendiksen's photo essay on Dharavi, a slum called Mumbai's shadow city.

In my view, this is a deserved recognition for the photographer and the magazine. There are two images that I think really stand out in the photo essay...the one above, and the 8th one in the series, which is of a man hunched under an umbrella while a woman in the alley is drenched in the pouring rain, and a priest and a child are arranging a small altar. A moment frozen in time...very well captured by Jonas.

(Note: I erroneously had this photo essay as being by Sarah Leen. However, sharp-eyed Kendrick Kwok, a fellow photographer and Lightstalkers member, kindly pointed out that it was Bendiksen's. A quick search of the National Geographic website confirmed that this was indeed the case. Thank you, Kendrick.)

(Note 2: Another sharp-eyed friend and photographer, Asim Rafiqui, corrected my error in that POYi awarded the Dharavi photo for picture editing, not for the pictures of the essay. The recipient of the award is Sarah Leen, and not Jonas Bendikson, as the category 'Magazine Picture Editing' is reserved for the editors who create the best photo layouts and best use of pictures to tell a story. Many thanks, Asim!)

The photo essay Dharavi, Mumbai's Shadow City

Kloie Picot: Hidden In Plain Sight Benefit


HIDDEN IN PLAIN SIGHT: A Benefit for Iraqi and Palestinian Refugees is put together by Kloie Picot, and is a worthwhile benefit for Iraqi and Palestinian refugees, one that she hopes will raise awareness of their plight. All proceeds will go to CROSSING LINES, a non-profit Ms. Picot is establishing to provide language, job training and other skills to refugees.

The important worthwhile event opens March 15 at the River Bar and Restaurant in Chung Li, Taiwan and will feature an exhibition and silent auction of photographs donated by several well-known photographers.

For further information: War Shooter (Hidden In Plain Sight)

Bravo Kloie!

TTP Recap of the Week

For your convenience, here's the past week's (March 3-9, 2008) most read posts on TTP:

Celebrity Photographers' Tours. This topic is consistently popular!
NGM: Annie Griffiths Belt
La Guelaguetza

Magnum Photos: China


Magnum Photos' In Motion just featured a Flipbook on China which takes a look at 60 years of transformation in this enormous country from Magnum's archives. The photographs are from legendary names such as Henri Cartier Bresson, Eve Arnold, Bruno Barbey and Paolo Pellegrin to name but a few.

Magnum Photos' Flipbook: China

NYT: In the Land of Black Coats

Image © Gianni Cipriano for NY Times-All Rights Reserved

Central Brooklyn in New York City is the land of the Black Coats...specifically 55th Street in the center of Borough Park which is home to a quarter million Orthodox Jews, the largest concentration of Jews outside Israel.

The slideshow is of atmospheric black & white photographs by Gianni Cipriano, and accompanies a short article in The City section of the New York Times. Why travel when one has this cornucopia of photogenic traditions literally next door?

I just read that the recent introduction of new slideshow templates and tech-savvy multimedia on the pages of the NY Times' website caused a substantial increase in the number of its readers/viewers.

NY Times' In The Land of Black Coats

Celebrity Photographers' Tours

Image © Tewfic El-Sawy-All Rights Reserved

I found another example of what I deem to be an over-the-top photo tour led by a celebrity photographer to a developed country in South-East Asia, so I thought I'd share my 'back of the envelope' ruminations about the economics (or lack thereof) of joining such a photo tour. Let me say this at the outset: the photo tour is no workshop...just a tour led by a well-known photographer.

The land cost for the 9 days tour (in essence 8 full days) is advertised at $4600 and the single supplement is quoted as $1000. Assuming that most single travelers don't want to share (I certainly wouldn't) a room with a complete stranger with annoying nocturnal habits, the total for the photo tour is $5600.

Tacking on a round trip airfare from New York of about $1500, and day to day expenses of at least $600 for the duration of the tour, we total $7700.

Now let's do some math: let's imagine that the 10 or 12 participants each return with 50 photographs that are exactly...but exactly what stock agencies, travel companies and others are desperately looking for, each photographer would have to sell every photo for at least $150 to break even. Naturally, there are many numerical variations to this assumption...one photograph may be sold 50 times and so on, or two photographs 25 times. Let's not also lose sight that the returning photographers will have much of their photo inventory either identical or similar to one another...and could well compete with each other.

In the current state of the industry, with the advent of photo-sharing websites populated by photographers willing to sell their work (often excellent) for next to nothing, the probability that any of these photographers will sell that many of photographs is virtually non-existent. Realistically, I'd say that a participant in such a photo tour has a slim chance to sell 2-4 photographs for $200-250 each....better than nothing, but a rather dismal return on the $7700 investment.

People who join such expensive photo tours led by celebrity photographers must do so for a reason or reasons...are these tangible or intangible? Are there real merits in just rubbing shoulders with one? Are there bragging rights attached to it? Is it a resume thing...or just for showing off during cocktails? Is it the "if it's expensive it must be good' mentality? Are there intrinsic values in shooting next to one? What are they? Do these famous photographers have the time and motivation to attend to individual needs, for mentoring? How do people quantify the return on investment from such tours? Are "in-the-field" tips from famous photographer worth 10 times those from a non-celebrity photographer? Do the participants draw comfort from the fact that since the celebrity photographer makes superb photos, they will too?

Email me if you know....but note that I draw a distinction between photo tours and bona fide workshops which have course descriptions, schedules and in which participants learn from instructing photographer(s), and nor do I question reasonably priced photo tours operated by hard-working photographers.

Beyond The Frame: Stilt Fishermen

Image © Tewfic El-Sawy-All Rights Reserved

It's been a while since I posted an image in a Beyond The Frame context, so here's one of the famed stilt fishermen in Sri Lanka. Stilt fishing is a strange technique of fishing where fishermen wade out to poles embedded in the seabed. The origins of this unusual technique (I don't think it's used anywhere else in the world) are unknown, but it certainly works. While photographing them, I saw the fishermen haul in their catch quite easily.

Near Welligama in the south of the island, these fishermen are a fixture during the early morning and at sunset. Each fisherman has a long pole fashioned like a sort of cross stuck in the seabed about 50 yards from the shore. They wade to the poles at times when the tide and fish are moving in the right direction, they sit on the poles' horizontal bars and start fishing. I was told that each stilt position is handed down from father to son.

I photographed these fishermen for quite a while and can vouch for their success in catching small fish. To this day though, I can't understand why a German tourist -when seeing me- and on his way to another beach kept laughing hysterically. Perhaps the sight of me with seawater almost to my knees caused the hilarity?

Matt Brandon: Sumatra

Image © Matt Brandon-All Rights Reserved

Matt Brandon over at the Digital Trekker just returned from an assignment in Sumatra, and has great portraits to share with us. He traveled to the small community of Sekayu in Sumatra, which is populated by a community of friendly and welcoming Muslim people called the Musi. They live up and down the Musi River that flows through their territory and down through Palembang.

Having converted some of his resulting photographs to B&W, he put up a slideshow with music. My favorite one is of this elderly woman...I chose it because Matt managed to expose her face very nicely, and process the photograph just perfectly....despite the shadows thrown by the hat. Not an easy photograph to make well.

Matt Brandon's Sumatra

Matt Brandon: Sumatra

Image © Matt Brandon-All Rights Reserved

Matt Brandon over at the Digital Trekker just returned from an assignment in Sumatra, and has great portraits to share with us. He traveled to the small community of Sekayu in Sumatra, which is populated by a community of friendly and welcoming Muslim people called the Musi. They live up and down the Musi River that flows through their territory and down through Palembang.

Having converted some of his resulting photographs to B&W, he put up a slideshow with music. My favorite one is of this elderly woman...I chose it because Matt managed to expose her face very nicely, and process the photograph just perfectly....despite the shadows thrown by the hat. Not an easy photograph to make well.

Matt Brandon's Sumatra

La Guelaguetza: Oaxaca's Dance

Image © Tewfic El-Sawy-All Rights Reserved

While in Oaxaca, I photographed a couple of lively Guelaguetza performances and uploaded some of the results on to a website. The dances are a form of celebration that dates back to pre-Columbian times and which remain a defining characteristic of Oaxacan culture. Its origins relate to the worship of corn as a mainstay staple of the Oaxacan region, and indeed all over Mexico and beyond.

Eventually, these photographs will be incorporated into a multimedia slideshow.

La Guelaguetza

La Guelaguetza: Oaxaca's Dance

Image © Tewfic El-Sawy-All Rights Reserved

While in Oaxaca, I photographed a couple of lively Guelaguetza performances and uploaded some of the results on to a website. The dances are a form of celebration that dates back to pre-Columbian times and which remain a defining characteristic of Oaxacan culture. Its origins relate to the worship of corn as a mainstay staple of the Oaxacan region, and indeed all over Mexico and beyond.

Eventually, these photographs will be incorporated into a multimedia slideshow.

La Guelaguetza

Thomas Smallwood: Journey to the Himba

Image © Thomas Smallwood-All Rights Reserved

Thomas Smallwood is a creative director for some of the top advertising agencies and major retail chains throughout the country, and attended college at the Fashion Institute (F.I.T.) and the School of Visual Arts in New York, where he majored in advertising, and discovered that he liked taking pictures.

His portfolio comes through Double Exposure the web magazine of Photoworkshop.com, a photography interactive community, founded by Robert Farber.

Thomas Smallwood's sensitive and evocative photographs of the Himba are supplemented by his Namibia travelogue, which he ends by saying :"We reflect on all we have seen, our moments with the proud Himba, and this incredibly colorful country. I also think about all the shots I missed. How soon can I return?."

Thomas Smallwood's gorgeous Journey To The Himba

Thomas Smallwood: Journey to the Himba

Image © Thomas Smallwood-All Rights Reserved

Thomas Smallwood is a creative director for some of the top advertising agencies and major retail chains throughout the country, and attended college at the Fashion Institute (F.I.T.) and the School of Visual Arts in New York, where he majored in advertising, and discovered that he liked taking pictures.

His portfolio comes through Double Exposure the web magazine of Photoworkshop.com, a photography interactive community, founded by Robert Farber.

Thomas Smallwood's sensitive and evocative photographs of the Himba are supplemented by his Namibia travelogue, which he ends by saying :"We reflect on all we have seen, our moments with the proud Himba, and this incredibly colorful country. I also think about all the shots I missed. How soon can I return?."

Thomas Smallwood's gorgeous Journey To The Himba

iPod touch


I splurged recently and got an iPod touch; principally to show off my portfolio to whoever is polite enough to ask to see it. Seriously though, I think it's really a nifty idea to have one's portfolio in one's pocket. As we all know, the iPod touch is lightweight and lends itself superbly in terms of coolness and screen resolution to show off photographs in their best light.

Naturally, it has many other uses as well...and in the range of a Wi-Fi signal, I can also show off my portfolio and websites. I found I had to use the two-fingered scroll to do that...but the iPod touch is really worth it. It's really a 'portfolio-in-your-pocket', and is useful in many field situations for travel photographers.

iPod touch


I splurged recently and got an iPod touch; principally to show off my portfolio to whoever is polite enough to ask to see it. Seriously though, I think it's really a nifty idea to have one's portfolio in one's pocket. As we all know, the iPod touch is lightweight and lends itself superbly in terms of coolness and screen resolution to show off photographs in their best light.

Naturally, it has many other uses as well...and in the range of a Wi-Fi signal, I can also show off my portfolio and websites. I found I had to use the two-fingered scroll to do that...but the iPod touch is really worth it. It's really a 'portfolio-in-your-pocket', and is useful in many field situations for travel photographers.

National Geographic: Annie Griffiths Belt

Image © Annie Griffiths Belt-All Rights Reserved

The National Geographic's website is featuring photographer Annie Griffiths Belt's biography and a short slideshow of her photographs along with her narration. She started her career after graduating in 1976 and began assignment work for the National Geographic Society two years later.

Her work has also appeared in Life, GEO, Smithsonian, Fortune, American Photo, Merian, Stern, and many other publications including dozens of books.

Amongst her many wonderful photographs, I chose this one of Muslim women praying at the mosque of the Dome of the Rock (Mosque of Omar) in Jerusalem. Look for the shadows on the robes of the women in the back!

However further on in the slideshow, at a photograph showing her and Himba tribeswomen in Namibia, Annie Griffiths Belt tells us that she handed them a Polaroid she had made of them. It was received with curiosity, not only because they had never seen a Polaroid image (this I easily believe) before but that they had not seen themselves having never used reflective surfaces! Hard to believe.

Annie Griffiths Belt's A Camera, Two Kids and a Camel

National Geographic: Annie Griffiths Belt

Image © Annie Griffiths Belt-All Rights Reserved

The National Geographic's website is featuring photographer Annie Griffiths Belt's biography and a short slideshow of her photographs along with her narration. She started her career after graduating in 1976 and began assignment work for the National Geographic Society two years later.

Her work has also appeared in Life, GEO, Smithsonian, Fortune, American Photo, Merian, Stern, and many other publications including dozens of books.

Amongst her many wonderful photographs, I chose this one of Muslim women praying at the mosque of the Dome of the Rock (Mosque of Omar) in Jerusalem. Look for the shadows on the robes of the women in the back!

However further on in the slideshow, at a photograph showing her and Himba tribeswomen in Namibia, Annie Griffiths Belt tells us that she handed them a Polaroid she had made of them. It was received with curiosity, not only because they had never seen a Polaroid image (this I easily believe) before but that they had not seen themselves having never used reflective surfaces! Hard to believe.

Annie Griffiths Belt's A Camera, Two Kids and a Camel

Anamitra Chakladar: Kolkata's Chinatown

Image © Anamitra Chakladar-All Rights Reserved

So far this week, my posts are of photographers using black & white pictures, and this suits Anamitra's work on Kolkata. Born in this city, Anamitra was expected by his parents to be a teacher or an executive, but he chose to be a photographer instead.

He joined an established newspaper as a trainee photographer, then moved on to television joining NDTV, and saw more than his share of world conflicts including the first Gulf War, the ongoing conflict over Kashmir between India and Pakistan, the coups in Nepal and Bangladesh...and getting shot at in the process.

Anamitra says that he's equally comfortable in both moving and still photography, but finds the latter therapeutic. From his website, I gather he's enamored not only by the city of his birth, but by the Taj Mahal and Delhi's Jama Masjid.

I had no idea that Kolkata has a Chinatown...its streets so well depicted by Anamitra's lens. I chose his well composed photograph of a rickshaw puller as the most illustrative of a Chinatown, although the government of West Bengal banned them in 2006. All this brings to mind the movie City of Joy and the brilliant performance by Om Puri, who acted the role of the impoverished rickshaw puller.

Anamitra Chakladar's Kolkata's Chinatown

Anamitra Chakladar: Kolkata's Chinatown

Image © Anamitra Chakladar-All Rights Reserved

So far this week, my posts are of photographers using black & white pictures, and this suits Anamitra's work on Kolkata. Born in this city, Anamitra was expected by his parents to be a teacher or an executive, but he chose to be a photographer instead.

He joined an established newspaper as a trainee photographer, then moved on to television joining NDTV, and saw more than his share of world conflicts including the first Gulf War, the ongoing conflict over Kashmir between India and Pakistan, the coups in Nepal and Bangladesh...and getting shot at in the process.

Anamitra says that he's equally comfortable in both moving and still photography, but finds the latter therapeutic. From his website, I gather he's enamored not only by the city of his birth, but by the Taj Mahal and Delhi's Jama Masjid.

I had no idea that Kolkata has a Chinatown...its streets so well depicted by Anamitra's lens. I chose his well composed photograph of a rickshaw puller as the most illustrative of a Chinatown, although the government of West Bengal banned them in 2006. All this brings to mind the movie City of Joy and the brilliant performance by Om Puri, who acted the role of the impoverished rickshaw puller.

Anamitra Chakladar's Kolkata's Chinatown

Rania Matar: Women of Islam

Image © Rania Matar-All Rights Reserved

Rania Matar was born and raised in Lebanon, and studied at the AUB and Cornell University. She studied photography at the New England School of Photography and at the Maine Photographic Workshops in Mexico with Magnum photographer Constantine Manos.

She travels widely in the Middle East photographs street scenes in Lebanon, Syria and Turkey, and focuses mainly on women and children in the Middle East, and her recent projects give a voice to people who have been forgotten or misunderstood. Her work has won several awards, and has been published and exhibited widely in the United States and internationally.

I was particularly moved by her Women of Islam photographs because, as she writes in her biography, it gives a voice to those who are misunderstood.

Rania Mattar's Women of Islam

Rania Matar: Women of Islam

Image © Rania Matar-All Rights Reserved

Rania Matar was born and raised in Lebanon, and studied at the AUB and Cornell University. She studied photography at the New England School of Photography and at the Maine Photographic Workshops in Mexico with Magnum photographer Constantine Manos.

She travels widely in the Middle East photographs street scenes in Lebanon, Syria and Turkey, and focuses mainly on women and children in the Middle East, and her recent projects give a voice to people who have been forgotten or misunderstood. Her work has won several awards, and has been published and exhibited widely in the United States and internationally.

I was particularly moved by her Women of Islam photographs because, as she writes in her biography, it gives a voice to those who are misunderstood.

Rania Mattar's Women of Islam

Asia Society: Vanishing Giants

Image © Palani Mohan-All Rights Reserved

On Tuesday, March 11, 2008 the Asia Society is holding a discussion & book signing: Vanishing Giants: Elephants of Asia, a look at man's relationship with Asian Elephants, with photographer Palani Mohan. (Details follow).

From the invitation, we gather that Vanishing Giants - Elephants of Asia "is a collection of extraordinary images that will provoke, intrigue and enthrall. Palani Mohan devoted 6 years and traveled to 11 Asian countries to create this intimate glimpse into the world of the Asian elephant, a creature which – even as its African cousin flourishes – is threatened as never before.

But this is far more than simply a book of elephant photographs. Rather, it’s a tale of two species; that of the elephant, and the humans with which it shares its abodes. It’s a love story, and a war story, a history of animosity and attraction, a study of shattered symbiosis. For all through Asia , it seems, a love-hate relationship thrives where elephants and humans co-exist."


Asia Society
725 Park Avenue at 70th Street, New York City
Tuesday, March 11, 2008
6:00–6:30pm: Registration
6:30–7:30pm: Photo Slide Show, Discussion and Audience Q & A
7:30–8:30pm: Meet the Author & Book Signing Reception

For full details: Asia Society: Vanishing Giants

Asia Society: Vanishing Giants

Image © Palani Mohan-All Rights Reserved

On Tuesday, March 11, 2008 the Asia Society is holding a discussion & book signing: Vanishing Giants: Elephants of Asia, a look at man's relationship with Asian Elephants, with photographer Palani Mohan. (Details follow).

From the invitation, we gather that Vanishing Giants - Elephants of Asia "is a collection of extraordinary images that will provoke, intrigue and enthrall. Palani Mohan devoted 6 years and traveled to 11 Asian countries to create this intimate glimpse into the world of the Asian elephant, a creature which – even as its African cousin flourishes – is threatened as never before.

But this is far more than simply a book of elephant photographs. Rather, it’s a tale of two species; that of the elephant, and the humans with which it shares its abodes. It’s a love story, and a war story, a history of animosity and attraction, a study of shattered symbiosis. For all through Asia , it seems, a love-hate relationship thrives where elephants and humans co-exist."


Asia Society
725 Park Avenue at 70th Street, New York City
Tuesday, March 11, 2008
6:00–6:30pm: Registration
6:30–7:30pm: Photo Slide Show, Discussion and Audience Q & A
7:30–8:30pm: Meet the Author & Book Signing Reception

For full details: Asia Society: Vanishing Giants

Alan Soon: Viet Nam

Image © Alan Soon-All Rights Reserved

Alan Soon is a photographer from Singapore with an affinity for "vintage" rangefinders and for traditional film processing. A producer for a global financial TV news network, he has been in journalism for 13 years; a career that has taken him to television, radio and magazine newsrooms in Singapore, Hong Kong and Tokyo.

He started photographing in his early teens with a Minolta X-300, and now uses compact rangefinders, most of them older than he. He shares his apartment with some 30 antique cameras, the eldest a 1949 Canon IIb, engraved "Made in Occupied Japan" which still works.

Alan traveled widely across Asia, North America, Eastern Europe and the Middle East, which, along with his interesting cameras, makes him an obvious candidate for the pages of TTP.

I feature his work of Hoi An in Viet Nam which Alan describes as "In its heyday, as a major port in East Asia, it stood as a contemporary of Melaka and Macau. The architecture reflects that heritage: the town is home to building designs left behind by the Japanese, early Chinese settlers, and Dutch, French and Portuguese traders. Many of the homes and stores are well preserved, with some over three hundred years old.

Apart from using black & white film, Alan's photographic style has an edge to it...part travel and part documentary. Explore his various galleries, and you'll know what I mean.

Alan Soon's Monsoon Photo

Alan Soon: Viet Nam

Image © Alan Soon-All Rights Reserved

Alan Soon is a photographer from Singapore with an affinity for "vintage" rangefinders and for traditional film processing. A producer for a global financial TV news network, he has been in journalism for 13 years; a career that has taken him to television, radio and magazine newsrooms in Singapore, Hong Kong and Tokyo.

He started photographing in his early teens with a Minolta X-300, and now uses compact rangefinders, most of them older than he. He shares his apartment with some 30 antique cameras, the eldest a 1949 Canon IIb, engraved "Made in Occupied Japan" which still works.

Alan traveled widely across Asia, North America, Eastern Europe and the Middle East, which, along with his interesting cameras, makes him an obvious candidate for the pages of TTP.

I feature his work of Hoi An in Viet Nam which Alan describes as "In its heyday, as a major port in East Asia, it stood as a contemporary of Melaka and Macau. The architecture reflects that heritage: the town is home to building designs left behind by the Japanese, early Chinese settlers, and Dutch, French and Portuguese traders. Many of the homes and stores are well preserved, with some over three hundred years old.

Apart from using black & white film, Alan's photographic style has an edge to it...part travel and part documentary. Explore his various galleries, and you'll know what I mean.

Alan Soon's Monsoon Photo

Sneak Preview: Oaxaca

Image © Tewfic El-Sawy-All Rights Reserved

I've returned from Oaxaca with a couple of projects...still very much work-in-progress, but should be uploaded on my website in a few weeks. The above photograph is a 'sneak preview' of one of them.

Oaxaca's main square, the zocalo, is a wonderful place to relax, have a meal or good coffee, watch the world go by and hear some street music. It's admirable of the city's municipality to stage free performances of Oaxacan regional dances as well as music by the local brass band every weekend in the square. The audiences are mostly of Oaxacans, but some tourists also stop to enjoy the spectacle.

If you haven't been to Oaxaca yet, trust me...put it on your list. I had heard that David Alan Harvey was in the city with his students, but regrettably our paths didn't cross.

Sneak Preview: Oaxaca

Image © Tewfic El-Sawy-All Rights Reserved

I've returned from Oaxaca with a couple of projects...still very much work-in-progress, but should be uploaded on my website in a few weeks. The above photograph is a 'sneak preview' of one of them.

Oaxaca's main square, the zocalo, is a wonderful place to relax, have a meal or good coffee, watch the world go by and hear some street music. It's admirable of the city's municipality to stage free performances of Oaxacan regional dances as well as music by the local brass band every weekend in the square. The audiences are mostly of Oaxacans, but some tourists also stop to enjoy the spectacle.

If you haven't been to Oaxaca yet, trust me...put it on your list. I had heard that David Alan Harvey was in the city with his students, but regrettably our paths didn't cross.

Issuu: PDFs To Digital Book

Issuu is an online conversion system that converts PDF files so that they can be read on the internet via web browsers. It's really eye-catching to have one's portfolio in a digital magazine with its pages flipped just like a real book or magazine.

The conversion from photographs to a PDF document is a cinch with Photoshop, and then these can be uploaded unto Issuu for conversion to a digital magazine or book. It's a simple process and it's free.

However, here's an excerpt of Issuu's terms that you need to consider before availing yourself to this service:

"By distributing or disseminating Uploader Submissions through the Issuu Service, you hereby grant to Issuu a worldwide, non-exclusive, transferable, assignable, fully paid-up, royalty-free, license to host, transfer, display, perform, reproduce, distribute, and otherwise exploit your Uploader Submissions, in any media forms or formats, and through any media channels, now known or hereafter devised, including without limitation, RSS feeds, embeddable functionality, and syndication arrangements in order to distribute, promote or advertise your Uploader Submissions through the Issuu Service."

ISSUU.com

Issuu: PDFs To Digital Book

Issuu is an online conversion system that converts PDF files so that they can be read on the internet via web browsers. It's really eye-catching to have one's portfolio in a digital magazine with its pages flipped just like a real book or magazine.

The conversion from photographs to a PDF document is a cinch with Photoshop, and then these can be uploaded unto Issuu for conversion to a digital magazine or book. It's a simple process and it's free.

However, here's an excerpt of Issuu's terms that you need to consider before availing yourself to this service:

"By distributing or disseminating Uploader Submissions through the Issuu Service, you hereby grant to Issuu a worldwide, non-exclusive, transferable, assignable, fully paid-up, royalty-free, license to host, transfer, display, perform, reproduce, distribute, and otherwise exploit your Uploader Submissions, in any media forms or formats, and through any media channels, now known or hereafter devised, including without limitation, RSS feeds, embeddable functionality, and syndication arrangements in order to distribute, promote or advertise your Uploader Submissions through the Issuu Service."

ISSUU.com

And A Song Shall Carry Them Home


The Record, a newspaper group based in Stockton (California) has published a multimedia piece titled And A Song Shall Carry Them Home: The Journey of the Fermin Brothers. The story was authored by Jennifer Torres and photographed by Victor J. Blue.

Here's a synopsis of the story:

"Two years ago, a group of brothers left Acojtapachtlan, a village of about a dozen concrete houses in the hills of southern Mexico. They came to San Joaquin County without education, without money, certainly without permission. They brought little more than their ambition and hopes. One of them carried along a dream to save money, buy instruments and lead a band.

The brothers Fermin were like millions of other Mexicans who have crossed the border and like thousands who, even today, will attempt it. But the ties of home and family are strong. Two years of work in San Joaquin County had earned the brothers enough money for televisions, clothing, tools, accordions, guitars, speakers - and a truck to haul it back. On Oct. 17, the village of Acojtapachtlan was to honor its patron saint, San Lucas, with a festival. One of the brothers would stay behind in Stockton. Three wanted to be home in time to play their music at the festival."


An exceptionally topical and well done insight on who we describe as "illegal immigrants".

The multimedia story: And A Song Shall Carry Them Home

And A Song Shall Carry Them Home


The Record, a newspaper group based in Stockton (California) has published a multimedia piece titled And A Song Shall Carry Them Home: The Journey of the Fermin Brothers. The story was authored by Jennifer Torres and photographed by Victor J. Blue.

Here's a synopsis of the story:

"Two years ago, a group of brothers left Acojtapachtlan, a village of about a dozen concrete houses in the hills of southern Mexico. They came to San Joaquin County without education, without money, certainly without permission. They brought little more than their ambition and hopes. One of them carried along a dream to save money, buy instruments and lead a band.

The brothers Fermin were like millions of other Mexicans who have crossed the border and like thousands who, even today, will attempt it. But the ties of home and family are strong. Two years of work in San Joaquin County had earned the brothers enough money for televisions, clothing, tools, accordions, guitars, speakers - and a truck to haul it back. On Oct. 17, the village of Acojtapachtlan was to honor its patron saint, San Lucas, with a festival. One of the brothers would stay behind in Stockton. Three wanted to be home in time to play their music at the festival."


An exceptionally topical and well done insight on who we describe as "illegal immigrants".

The multimedia story: And A Song Shall Carry Them Home

PoYi 65


Pictures of the Year International, the program of the Donald W. Reynolds Journalism Institute at the Missouri School of Journalism, has announced the 65th Magazine Photographer of the Year and displays the three winning portfolios. It has also posted the winning images for all categories as the judging continues. However, POYi is withholding the names associated with individual categories until the conclusion on March 7 (this is the reason for not having the above photograph properly credited).

My favorite photograph won an Award of Excellence in the Spot News category, and is of Iraqi man cradling his mother after she collapsed following the interrogation and near detainment of her son by US Army soldiers from the 5-20 Infantry Division during the launch of Operation Arrowhead Strike 6 in the Shaab neighborhood of northern Baghdad, February 06, 2006.

I am willing to wager that this photograph was (or will be) published in many Middle Eastern newspapers and blogs, and certain that it will contribute to the anger against the US occupation. I'm surprised that the US military hasn't censored it.

The photographs can be seen at POYi

PoYi 65


Pictures of the Year International, the program of the Donald W. Reynolds Journalism Institute at the Missouri School of Journalism, has announced the 65th Magazine Photographer of the Year and displays the three winning portfolios. It has also posted the winning images for all categories as the judging continues. However, POYi is withholding the names associated with individual categories until the conclusion on March 7 (this is the reason for not having the above photograph properly credited).

My favorite photograph won an Award of Excellence in the Spot News category, and is of Iraqi man cradling his mother after she collapsed following the interrogation and near detainment of her son by US Army soldiers from the 5-20 Infantry Division during the launch of Operation Arrowhead Strike 6 in the Shaab neighborhood of northern Baghdad, February 06, 2006.

I am willing to wager that this photograph was (or will be) published in many Middle Eastern newspapers and blogs, and certain that it will contribute to the anger against the US occupation. I'm surprised that the US military hasn't censored it.

The photographs can be seen at POYi

 
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